Saturday, 21 January 2012

can we define what craft is?

Yesterday I was a meeting in London of the steering group for a major piece of government funded research into the state of heritage crafts in England. The first and perhaps most difficult task is to define very precisely what heritage crafts are in such a way as the research company can go away and start counting and measuring.

Crafts consultant Hillary Jennings had prepared us a draft discussion paper which runs to about 15 pages, we hope to be able to make this document public in due course but for now I can share a few of the most important points.

It was felt that heritage craft could be defined as practice which encompassed these points
  • Knowledge and use of traditional materials
  • Skilled use of hand tools and hand operated machinery
  • Knowledge and application of traditional, often functional designs
Then this was boiled down into an even more concise version for when we need a one line definition.

"Practices which employ skilled use of hand tools and an understanding of material and have their roots in traditional functional design."

It's not easy to define traditional craft, how would you do it? can you come up with anything better? One thing we were sure about was that heritage is not the same as old, it is more a question of what we value and wish to pass on to future generations.

To make the most of my London trip I also got to meet two people I have been corresponding with for a while. First was Adam Thompson who writes the excellent "manufacture and industry" blog here 
We only had time for a quick coffee and chat but it was good to meet, his blog is well worth following.

Then last thing I visited potter Kate Malone. Folk who know Kate's work may be surprised as she is very much a high end art potter making pieces which sell for thousands of pounds, she does have very strong roots in traditional practice however and believes that it is crucial that ceramicists learn basic craft skills first before considering any sort of innovative self expression. Here is a lovely film of her studio.



I am in London next Tuesday and Wednesday for more meetings including John Hayes skills minister, Martina Milburn CEO of the Princes Trust, the BBC to discuss potential craft TV programs, Baroness Garden at the Lords and I am particularly pleased to be able to meet up with Betsy Greer, craft activist who is over from the US.

Wednesday, 18 January 2012

craft conference at the V&A "evolving craft communities"

This year's Heritage Crafts Association conference at the V&A has the theme "Evolving Craft Communities"

Since you are reading this on the web and presumably have an interest in craft you are part of an online craft community which did not exist 20 years ago. At the same time many of us are also part of other craft communities whether local, regional or national with a particular craft theme. I am quite involved with the Association of pole lathe turners and greenwoodworkers who have a good online forum here  but also an annual meeting where we all get together to exchange skills and ideas.

We are live in exciting times as we can exchange and source information freely across the web,  how does this change our craft practice and how does it compare to past practices of passing skills?  Is it possible to feel connected to other folk we have never met who live in other continents and what sort of meaning does that bring to our lives? How do we make the best use of changes that are happening and new opportunities available to us?

Speakers at the conference will include Professor Richard Sennett, talking about "Making and thinking". Richard is author of the well-received book The Craftsman, and professor of sociology at  New York University and LSE. He popularised the idea that it takes 10,000 hours to master a craft skill, he also talks from personal experience of hand skills having put those hours in training as a cellist.


Lida Kindersley runs the highly successful Cardozo Kindersley Workshop in  Cambridge. Lida was trained by David Kindersley who was himself trained by Eric Gill. She wrote a nice book on apprenticeship  Her workshop practices solidly "old school" with apprentices learning letter-cutting alongside the team of experienced craftspeople.

Ele Carpenter is a curator, artist and researcher working within the field of visual arts and new media. She will talk about the open source embroidered digital commons

Stuart Mitchell's apprenticeship in the Sheffield cutlery industry was very traditional. He started at the bottom and worked all hours until eventually even his father took pride in the knives that he built. His workshop, and indeed work ethic, is still steeped in the traditions of Sheffield of old, but things have changed.

And then I will be talking about how I feel to be part of a global online woodworking community but how I still value physical get togethers and particularly working on craft projects together alongside other people whether sharing my knowledge through courses or learning from others.


Here is the full program, you can book here and this year we are offering an £5 early bird discount to save us having the stress of last minute bookings. It will be a great day, hope you can join us.
  • 10.15am - Registration in the Lecture Theatre.
  • 10.45am - Conference starts. Welcome from Patricia Lovett, Vice-Chair of the HCA.
  • 10.55am - Professor Richard Sennett - 'Making and Thinking'.
  • 11.55am - Lida Kindersley, lettercutter in stone - 'Learning by Doing'
  • 1.00pm - HCA Annual General Meeting - all welcome.
  • 2.30pm - Afternoon session begins. Patricia Lovett.
  • 2.35pm - Presentation of Marsh Awards for trainer and volunteer in Heritage Crafts by Alex Langlands
  • 3.00pm - Ele Carpenter, 'Open Source Embroidery Project - the embroidered digital commons'
  • 3.25pm - Robin Wood, wood turner and Chair of the HCA - 'Bringing Craft out of the Woods'
  • 3.50pm - Stuart Mitchell, knifemaker - 'Web Mester'
  • 4.15pm - Closing remarks and HCA updates
  • 4.30pm - Conference ends

Wednesday, 11 January 2012

gorgeous Welsh lovespoon

I really dislike the tourist tat Welsh lovespoons that most people know but I was recently sent photos of a gorgeous original Welsh lovespoon which is a simple beautiful understated form with just the right amount of decoration. I have not done a copy yet, but I will. Would it be right to make a spoon like this and offer it for sale? to me then the whole point of lovespoons was that they were made as love tokens by someone for someone. Anyway here are the pics hope you enjoy it as much as I did.




This particular spoon belonged to the grandmother of the lady that sent me the pictures.  She was born  in the 1890's,  lived  in Pontrober  and later  Llanfair Caereinion.
I did a previous post on Welsh lovespoons and cawl spoons here

Tuesday, 3 January 2012

a cup o’ kindness

For auld lang syne, my  dear,
for auld lang syne,
we’ll tak a cup o’ kindness yet,
for auld lang syne.

What better way to bring in the new year than gathered with friends and sharing a communal cup of kindness of good whisky? So it was that I said hello to 2012. Edale is a small and very sociable village and about 150 folk or half the population of the village partied in the village hall. As is traditional at the stroke of mifdnight we all sang Auld lang syne and my quaich did the rounds.


This sort of ceremonial use of drinking vessels has been lost to much of our culture which I feel is a shame, whether weddings, parties, new year or just a gathering of friends, sharing a cup of kindness is somehow a very special and enjoyable thing to do. From the Vikings through medieval period right up Robert Burns and Thomas Hardy folk would share a communal drink and it was only Victorian prudishness that brought individual vessels. I highly recommend giving it a try.

Tuesday, 27 December 2011

Thank you

Well, 4 years and this is blog post 500. Considerably more writing and photos than in most woodworking books all cast out into cyberspace for free. The feedback makes it all worthwhile though and I want to thank everyone that continues to read, post links to my blog, tells others about it and those who have sent me lovely stories about their own woodworking journeys.

Let's start with a thank you to Luke Townsley, I know many folk come to my blog via his blog at unpluggedshop if you want to find a range of interesting reading on the web about traditional woodworking this list of blog posts is a good place to start.

When I asked last week who reads my blog I was blown away by the response, as well as the 26 comments below the post I had lots of supportive emails and stories of folk who drew inspiration for their woodworking journeys from various online sources including my blog. I can't feature everyone here and it would be impossible to try to select amongst them so here are a random sample, I like to see the variety of folk from those who are clearly very competent craftspeople to enthusiastic amateurs.

Daniel making handmade shoes in Oregon http://babushoe.com/
Fellow woody bloggers
Brian saw-milling in Scotland http://brian-logsblog.blogspot.com/
Mack whittling in Colorado http://flyingchips.blogspot.com/
Rico and Beth also in Colorado simple living and traditional crafts http://www.survivalinthewasteland.blogspot.com/
Kev on carpentry and living the good life http://sawdustinmysocks.blogspot.com/
Lena on Archaeology http://ossamenta.dreamwidth.org/ like this post about medieval bone and antler combs.
Bushcrafty stuff in Sweden http://deepwoods.dreamwidth.org/
Anthony's figurative sculpture in NYC http://www.santella.org/anthony/   hope you don't mind me sharing a picture Anthony.
My good friend Steve with his blog on a variety of wood crafts http://stevetomlincrafts.wordpress.com
Steve's spoons

 George Walker's nicely designed blog on design http://georgewalkerdesign.wordpress.com/
Jack Wheeler sculpture

and finally Richard's entertaining woody blog http://flyingshavings.co.uk/

Thanks for all the comments about which sorts of posts you enjoy, I am conscious that many folk come here primarily for the woodworking and sometimes fear my philosophical ramblings or extensive posts about my work advocating for traditional crafts through the Heritage Crafts Association could be rather a diversion. It appears some folk enjoy these things too which was nice to know.

So thanks all for reading, sharing and linking to my blog in the past and I hope you all have a great 2012.
Robin

Friday, 16 December 2011

learn to carve spoons in 2012

 2011 was my fifth year of teaching spooncarving profesionally after nearly 20 years carving as a hoby. These courses are now recognised as the best possible way to learn the skills of carving with an axe and knife. Many of the folk I taught in the first few years are now running courses themsleves and many more are carrying on enjoying carving as a hoby. I am proud of how folk from all sorts of backgrounds manage to pick up these skills quickly and easily when they are taught properly, the courses are also great fun though.



I know many folk are waiting for these course dates to buy a Christmas present for someone special, I am sorry I have left it to rather the last minute but hope you can find some suitable dates. Full details of the content of the various courses with links to photos of previous courses are all here
 

Spooncarvers foundation course 
25-27 April 2012
23-25 May2012
17-19 October 2012

Developers course
27-29 June 2012

Bowlcarving
16-18 May 2012

20-22 June 2012
24-26 October 2012
28-30 November2012

Fun carving
21-23 November 2012

Courses all booked up quickly last year and prices have been held at the same rate again this year so book soon to guarantee a place. Cheque or Paypal for £50 deposit secures a place.

Hope to see some of you in 2012. 


For my blog readers overseas or unable to come on courses rest assured there will be plenty of photos and posts about spooncarving here for inspiration.


I don't normally post lots of past testomonials but this email came in this moring from Ian who has done a spooncarving foundation course and developers course with me.


"I have to say your Spoon Carving courses have been the best I have ever attended. This is because (and I can say this with some prior expertise as an ex-teacher and consumer of lot's of craft tuition over the years) you fundamentally understand the learning process. You have taught me carving skills in ways that are accessible and 'stick'. I can remember all the skills taught and I can use them. Unlike other courses I can replicate, practice and embed them. I just 'know' what to do governed by your prior taught process. The soup is good too!
 "

Tuesday, 13 December 2011

Who reads my blog?

In 4 years blogging I have made some great friends around the world, quite a few of whom I have met in person and others I hope to meet in the future. I feel to be very much a part of a growing online craft community with links around the globe and I'd like this blog post to help strengthen that community and be a way of introducing all my online friends to each other, a virtual craft meet up if you like. It would be great if we could all meet in Edale village hall round a table with tea or a beer and lots of nice craftwork to chat about, I hope to organise that in 2012. I know there are some readers who are very talented woodworkers or skilled in other crafts whilst others are just starting out. I would love to hear from you all. In fact I hope to give you all a platform to say hello and maybe send me a link to your own blogs or websites if you have them.

You can get in touch by using the comments box below this post or by sending email to robin@robin-wood.co.uk I'd love to hear from lot's of you and so my 500th blog post (this is 498) can be all about my blog readers.

I love to hear stories about folk that have been inspired in some way by my work or blog, it gives me the incentive to carry on writing. Here is a recent one Wilson Burnham of Brokeoff Mountain Lutherie is currently making a pole lathe to turn bowls.
and here are a couple of other woodworkers I have a lot of time for  Jarrod StoneDahl makes wonderful pole lathe bowls and spoons in northern Wisconsin and one day I hope to visit and help him build one of his gorgeous birch bark canoes.

Peter Follansbee   is the joiner making wonderful furniture using original techniques at Plimouth Plantation, his blog is well worth a read, particularly his posts with photos of original 17th century pieces like this. He also turns bowls every now and then.

Rivkah Mentzer is a medieval historian and homemaker. which involves many crafts, in my early days of blogging she encouraged me by posting nice comments. Later she visited the workshop and bought a bowl which she calles Mambrino and makes bread dough in, she posts pictures of the bowl from time to time and it is ageing nicely.

 Next March for the Heritage Crafts Association spring conference at the V&A we have chosen the theme "Evolving Craft Communities" Richard Sennett author of "The Craftsman" will be our keynote speaker. I'll be speaking about the way in which the internet has allowed me to feel connected with a wonderful community of folk in the UK and worldwide, my blog gets around 1500 readers a day so I am hoping some of you will join in the conversation, let me know who you are, where you are, what your interests are and maybe whether you draw inspiration or just a feeling of connectedness from following web blogs about subjects that have meaning for you. Over to you.......
robin@robin-wood.co.uk
Thanks
ps if any of you do facebook I do that a little too here


Sunday, 11 December 2011

Steve Jobs


 These inspirational quotes from Steve Jobs were put together by Mike Press for his great blog here the most craft related ones are at the end but I think they are all great.

“In most people’s vocabularies, design means veneer. It’s interior decorating. It’s the fabric of the curtains and the sofa. But to me, nothing could be further from the meaning of design. Design is the fundamental soul of a man-made creation that ends up expressing itself in successive outer layers of the product or service.”

“Your time is limited, so don’t waste it living someone else’s life. Don’t be trapped by dogma – which is living with the results of other people’s thinking. Don’t let the noise of others’ opinions drown out your own inner voice.”

“My model for business is The Beatles. They were four guys who kept each other’s kind of negative tendencies in check. They balanced each other and the total was greater than the sum of the parts. That’s how I see business: great things in business are never done by one person, they’re done by a team of people.”

“Your work is going to fill a large part of your life, and the only way to be truly satisfied is to do what you believe is great work. And the only way to do great work is to love what you do. If you haven’t found it yet, keep looking. Don’t settle. As with all matters of the heart, you’ll know when you find it. And, like any great relationship, it just gets better and better as the years roll on. So keep looking until you find it. Don’t settle.”

“Because I had dropped out and didn’t have to take the normal classes, I decided to take a calligraphy class to learn how to do this. I learned about serif and san serif typefaces, about varying the amount of space between different letter combinations, about what makes great typography great. It was beautiful, historical, artistically subtle in a way that science can’t capture, and I found it fascinating. None of this had even a hope of any practical application in my life. But ten years later, when we were designing the first Macintosh computer, it all came back to me. And we designed it all into the Mac. It was the first computer with beautiful typography.”

“When you’re a carpenter making a beautiful chest of drawers, you’re not going to use a piece of plywood on the back, even though it faces the wall and nobody will ever see it. You’ll know it’s there, so you’re going to use a beautiful piece of wood on the back. For you to sleep well at night, the aesthetic, the quality, has to be carried all the way through.”

And whilst looking back at Mike's old blog archive I came across this remarkable post from 2007. It seems quite visionary now showing the way handmade crafts using web 2 software, blogs, etsy etc are in a position to grow rapidly, comment, and be far more proactive in addressing issues about the way we make, work and consume in the 21st century.

"Craft 2.0 is the true inheritor of the Morris legacy. Unlike the professionalised 'art school' educated craft makers it has an ideological position which, while largely ill-defined and diverse, represents a constructive reaction to the inequities and politics of the market economy. It is clearly using the market economy as a means of developing sustainable livelihoods, but is bringing economic and cultural innovation to it. Above all it is dealing with the politics of work and consumption in ways that the professionalised sector cannot."

Saturday, 10 December 2011

life is a gym for head, hand and heart.

It seems to me that the life many people aspire to at the moment involves spending the working day in important meetings or at a computer or doing similar cerebral work, then in the morning or evening jogging or pumping iron at the gym to get that perfect body.


These gyms seem bizarre places to me, I have walked past them in London full of folk pounding away like so many hamsters on wheels. The bizarre thing is that all those machines are consuming electricity, I'd like to see a gym that generated electricity or better see those folk out carrying shopping for old ladies or some  other useful physical activity. Besides that I struggle with the idea of pounding away just to get the current trendy body shape. I think far better to live a balanced life that involves a mix of cerebral and physical activity. At the moment I am converting my ex village police station into a holiday cottage, there is a lot of hard labouring work which a hard nosed business annalist would say I should pay a labourer £50 a day to do whilst I got on with more lucrative work. I earn an average of £80 a day so I can't argue with the economics but there is something more important than economics to me. By doing the labouring myself I get a feeling of empowerment, and also a good workout which would cost my cerebral friends a hefty gym fee. Here I am starting to demolish the old wall separating the old garage from the police station office, I reckon you could charge for this it was such fun.
Why is it that doing this stuff as part of the working day is looked down upon whilst paying to sweat in the gym is viewed as a good thing? This is all part of my philosophy of living a balanced life with work involving hand, head and heart. Past posts on the subject here or see more posts in similar vein by  clicking the philosophy link to the right.

Thursday, 8 December 2011

new music video featuring me

Often folk picture heritage and traditional crafts as being backward looking, and having nothing to say today. This is a misunderstanding, today in times of global financial adversity people tend to reassess their priorities and question what good work and a good life means, what is of value and what is not. The traditional crafts have always been closely linked with the politics of work, from William Morris to Eric Gill to Mahatma Gandhi craft, work, philosophy, politics all together. 

Craft is still relevant today and far from being backward looking the Heritage Crafts Association are at the cutting edge of debate about what is good work today. Music sometimes also carries political messages and one of my favourite young punk bands are the King Blues. This is their new video shot on a very cold day last spring and you might notice a clip of me in the workshop.



It was quite an eye opener being part of the video, we had an afternoon in the workshop them most of the day starting at 8am in Manchester and it was cold....
This quick clip taken on my pocket camera gives an idea of how it was made.



and a few stills



Wednesday, 7 December 2011

Nice Finnish blacksmith film

Here is a really nice film of Finnish blacksmith Jesse Sipola, he has developed a system of using hand held air hammers for fine forging work, particularly faces, it's a nicely shot and edited film too. Worth double clicking to get full screen.


Jesse Sipola, Seppä | Blacksmith (2011) from Eero Y on Vimeo.

Monday, 5 December 2011

Who reads my blog?

In 4 years blogging I have made some great friends around the world, quite a few of whom I have met in person and others I hope to meet in the future. I feel to be very much a part of a growing online craft community with links around the globe and I'd like this blog post to help strengthen that community and be a way of introducing all my online friends to each other, a virtual craft meet up if you like. It would be great if we could all meet in Edale village hall round a table with tea or a beer and lots of nice craftwork to chat about, I hope to organise that in 2012. I know there are some readers who are very talented woodworkers or skilled in other crafts whilst others are just starting out. I would love to hear from you all. In fact I hope to give you all a platform to say hello and maybe send me a link to your own blogs or websites if you have them.

You can get in touch by using the comments box below this post or by sending email to robin@robin-wood.co.uk I'd love to hear from lot's of you and so my 500th blog post (this is 498) can be all about my blog readers.


I love to hear stories about folk that have been inspired in some way by my work or blog, it gives me the incentive to carry on writing. Here is a recent one Wilson Burnham of Brokeoff Mountain Lutherie is currently making a pole lathe to turn bowls.
and here are a couple of other woodworkers I have a lot of time for  Jarrod StoneDahl makes wonderful pole lathe bowls and spoons in northern Wisconsin and one day I hope to visit and help him build one of his gorgeous birch bark canoes.

Peter Follansbee   is the joiner making wonderful furniture using original techniques at Plimouth Plantation, his blog is well worth a read, particularly his posts with photos of original 17th century pieces like this. He also turns bowls every now and then.

Rivkah Mentzer is a medieval historian and homemaker. which involves many crafts, in my early days of blogging she encouraged me by posting nice comments. Later she visited the workshop and bought a bowl which she calles Mambrino and makes bread dough in, she posts pictures of the bowl from time to time and it is ageing nicely.

 Next March for the Heritage Crafts Association spring conference at the V&A we have chosen the theme "Evolving Craft Communities" Richard Sennett author of "The Craftsman" will be our keynote speaker. I'll be speaking about the way in which the internet has allowed me to feel connected with a wonderful community of folk in the UK and worldwide, my blog gets around 1500 readers a day so I am hoping some of you will join in the conversation, let me know who you are, where you are, what your interests are and maybe whether you draw inspiration or just a feeling of connectedness from following web blogs about subjects that have meaning for you. Over to you.......
robin@robin-wood.co.uk

ps if any of you do facebook I do that a little too here

A gem of an old wood craft film.

This is an absolute gem. Sent to me by blog Reader Tim Marshall, recorded in 1984 two "bushmen" Bill Boyd and Mark Garner fell a tree, split "slabs" off it and hew them to make house timbers. I have worked with some seriously talented hewers in Japan, Germany and the best from the UK, when I watched the first few seconds of this film with these two chaps sat on the porch sharpening their axes I thought it all looked a bit hammed up for the cameras but just stick with it, they are as skilled and effortless as anyone I have ever seen with an axe.



It was uploaded a year ago and has had only 500 views it deserves to be much better known, lets share it and celebrate the skills of these wonderful folk.

Just for comparison I'll post a couple of vids I made in 2005 of German and Japanese style hewing



Saturday, 3 December 2011

Britain to be proud of?

An interesting piece of research has just been published looking at what British people are proud of.

Respondents were more likely to take pride in the things that were closest to them – for instance their family and home – than in the ‘nation’ more generally:

87% said ‘I am proud of my family’.
77% said ‘I am proud of my friends’.
62% said ‘I am proud of my work’.
80% were ‘proud of my attitude to others’.
90% said ‘I am proud of my values’.
Gosh we are beginiing to sound like a smug lot now how about this
79% said ‘I am proud of my knowledge/intelligence’.

"Overwhelmingly, British people believe that we are – collectively – less proud of Britain than our forefathers: 53 per cent believe that Britain is less patriotic than it was 25 years ago and 61 per cent argue that patriotism has declined over the last 50 years – over half of British people believe that we are ‘a lot less proud’ than we once were of Britain.
However, four in five British people are still happy to declare themselves ‘proud to be a British citizen’ and levels of patriotism in the UK are – when compared with those in other European nations – relatively healthy."

81% said ‘I am proud of how Britain looks (eg landscape, architecture and style)’.
74% were ‘proud of British culture’.

"British citizens had a strong disengagement from ‘patriotism’ People felt that ‘patriotism’ meant the last night of the Proms, the Union Jack and singing ‘Jerusalem’.... while they are proud of Britain and of being British, assume that the term ‘patriotic’ just doesn’t, really, describe them:

"Patriotic means flying the flag and standing up for the national anthem and things like that. I think it’s fine that people do that but it’s not really me, if you know what I mean? I suppose I’m not really ‘patriotic’ but I do think I’m proud of British things."

"It’s a bit weird to be really, really patriotic. I don’t think it’s racist or anything, like people say, I think it’s harmless really but it’s more that it’s old-fashioned. It’s sort of more for posh people, isn’t it?"


"When you ask about what’s best about being British I think of all the people that give up their time to help other people, or to do good things in the community. That’s what makes me proud of this country."

"At the same time, shame and embarrassment in Britain are strongly felt. More than half of British people have been ‘embarrassed to be British’ "

"The British are among the most likely people in the world to give up our time to volunteer. We have significantly higher levels of social action – and a greater and more established independent charitable sector – than most peer European countries."


"I think of being British as being about littler things, more boring I suppose. Like doing your bit and manners and helping out. The thing about British people is that we do things for each other, you know? Being British is more about the way we are than things like Buckingham Palace or Parliament."

"We find that pride in Britain is strong but that people are alienated by the way in which politicians talk about patriotism. British people are highly dubious of efforts to politicise their everyday, felt patriotic sentiments and they deeply distrust efforts to intellectualise their pride in their country. British politicians are at risk – through their wide-of-the-mark ventures into the discourse of patriotism – of turning British people off their sense of themselves."

"I’m always a bit dubious when the politicians see something good and then say ‘that’s what I believe in’ because usually they take that thing and they ruin it."


"Sometimes when they [politicians] talk about volunteering and all that, it sounds like they think they invented it or something. I don’t volunteer because the Government tells me to, I volunteer because I want to – I enjoy it and I think it’s important,"

"our research undermined many of the traditional narratives about patriotism and British-identity. Participants identified a mis- match between history presented as a ‘great island story’ and what they felt was important, and inspiring, about modern Britain."

and here is one last statistic which shows that folk answering quesions from research companies maybe say what they would like to think they do in an idealised vision rather than what they actually do in the real world.

"74% of respondents agreed with the statement ‘it’s important to buy British’.

Full report can be downloaded here

Friday, 2 December 2011

NIACE craft "tool kit"


"The exciting announcement Creative & Cultural Skills have commissioned research agency TBR to map the heritage crafts sector seems to have caused a little confusion as to how that impacts or sits with the work I’m doing with NIACE so I thought I’d explain how it all fits together.
When Skills Minister John Hayes first featured in craft&design magazine he explained that he was looking at how to address training the next generation of craftspeople.
The first issue recognised by the Minister was the need to harness the expertise and knowledge of the sector so he set up a BIS Craft Skills Advisory Board which has already been holding meetings.
The Minister pledged to undertake a national mapping exercise for heritage craft skills sector, working with a range of sector bodies.
John Hayes has also invited NIACE to produce a map of apprenticeship frameworks that support the sector and to look at opportunities for future growth.  NIACE is also developing a tool kit – this is what I”m working on specifically.
The toolkit is basically a micro website which can be accessed by anyone but in particular people hoping to pursue a career in craft.  I am collecting case studies from people currently working in the industry which details their chosen discipline and how they got there.
These human stories will be really helpful and, in some cases, inspirational.  And, as we are now adding photos, they may also generate new business.
Some of the people that have contacted me also run their own workshops.  There is a separate part of the toolkit dedicated to courses, both through educational institutions as well as independently run.  I’m preparing a list of these as I go and will ensure that any courses advised to me will also be included in the toolkit.
In short then, the mapping exercise will show where heritage craft is at the moment.  The toolkit will be preparing craft for the future.
I have had a great response so far – thank you to all those who have contacted me.  However, I would still love to hear from more of you please.  And don’t forget, if you are running short courses and workshops, include them in the information you send me or, if you haven’t got time to write it, just email me with a convenient time to call you and I’ll write it for you.
This is a fantastic opportunity to be part of a craft-focused project that is the biggest of its kind and it costs you nothing to get involved.  Just a few minutes of your time.
I urge you not to miss out."